I'm a huge fan of pop culture criticism - in fact, at times I feel like I enjoy the criticism as much or more than the actual pop culture itself. The work of Gen X writer Chuck Klosterman is a perfect example of this feeling. Klosterman, who has written for Grantland, Esquire, GQ, and other publications, produces a large volume of sports and entertainment commentary that is at times a work of art unto itself. His most recent collection of essays - Chuck Klosterman X: a Highly Specific, Defiantly Incomplete History of the 21st Century - has been engaging me recently, and I rarely find issues on which I disagree with Chuck. However, his views of the iconic TV show Breaking Bad are one area where we part ways, and it's his praise not only of the show but his interpretation of the character of Walter White that are so off. As I've noted before, the entire BB fan base as well as an endless run of critics are wrong about Walter White, and I am mystified by the miss. Walter White is not an anti-hero, and the show was not about a man who "breaks bad." Walter White was always evil, or at least pretty "bad," and unlike characters such as Michael Corleone or Tony Soprano, there is no redeeming quality of White.
Klosterman crafts a compelling view of contemporary crime drama with an assertion about the cultural significance and groundbreaking impact of four shows - The Sopranos, The Wire, Mad Men, and Breaking Bad. These are undoubtedly some of the best television of the last two decades. Klosterman analyzes the shows as he argues that Breaking Bad elevates above the rest because of the unique transformation of the character of Walter White. The true magic of the show, and the significance of WW, is that "At some point, he decided to become bad, and that's what matters." Klosterman believes White is set apart because his evil and his actions were guided by his choice to "break bad," an act that his reluctant partner Jesse told him he could never do. You can't just "break bad," or decide to become a different person. You can't choose to become evil. And this is where Jesse is in some ways right, and Klosterman (as well as the show's fans and other critics) is simply wrong.
Walter White is not an anti-hero, and he is not a good (or even simply average) man who chooses to "break bad" as a result of adversity (in this case, his diagnosis of cancer and desire to protect and provide for his family). From the beginning, Walter White is simply not a very good person. He comes across as a rather mediocre, if not downright inadequate, teacher. Obviously, later seasons reveal his contempt and seething regret over his decision to leave the science/businesss world and enter education. Yet, it seems like his partners don't regret his decision to withdraw from the business. I don't think they ever really liked him or even respected him as a person, and the reason is he was ... well, a bit of a tool. Walter White was always a pretty amoral sort of a dick, and the reason he didn't "break bad" or become "evil" earlier is simply because the opportunity never presented itself. People don't just become sociopaths, which is a fair description of his character by the middle seasons. He was always that way, and the cancer diagnosis and chance encounter with Jesse simply offered the opportunity for more socially destructive actions.
Characters like Tony Soprano and Don Draper are compelling and interesting because aspects of the individuals are appealing. We develop some degree of understanding and empathy for these men because of their circumstances, but the reason we do that is carefully crafted by the writers and directors. The characters always have in some way done something to "save the cat," an act which endears us or at least softens our suspicion and mistrust of them. We ironically root for Tony Soprano to get away with crime because we like him. We justify that he is only hurting other bad guys, or we care about the integrity of the close relationships he has - even if they are with other thugs. Yet, none of this is, or should be, true with Walter White. My sympathy was always with Jesse, a true anti-hero. But I never wanted WW to get away with anything. I wasn't hoping to prolong the show - I wanted him busted and the whole thing over. Because Walter White is no good, and he was never worth a damn.
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