From that mythical and sappy time of the 1950s "Happy Days," when literary lion John Updike first shared the story of the "Rabbit" who desperately wanted to run, the dark pathetic side of Ward Cleaver has been a stock character of American fiction. Rabbit, Run was more than just the story of Harry Angstrom's disillusioned and disaffected minor rebellion - it was a chronicle of a decade with all the mundane details that no one talked about at parties.
I enjoyed Updike's Rabbit novels for all the sociological voyeurism they provided, and I've been pondering them and recognizing them as I make my way through Mathew Klam's 2017 novel Who is Rich? Klam has a sharp eye for social satire as he relates the story of Rich Fischer, a forty-something old illustrator and once-mildly-successful cartoonist who ekes out a life of quiet desperation working for magazines and freelance gigs like court room artist. His only escape from the monotony is a visit to a summer writing clinic filled with similar misfits.
While the story is one told before, Klam's skill with description and storytelling hearkens back to Updike in language as much as plot. As the New Times opined: