In his thirty-six plays, running across genres with exquisite balance through 14 comedies, 10 histories, and 11 tragedies, there are few themes, narratives, or even moments of the human experience that the Bard does not address in full. It's a truly stunning output and collection of literary expression, and more than four hundred years later, the drama lives on.
Derivative work from Shakespeare's stories and themes is another rich layer to William's influence, and this year's release of the Chloe Zhao's film version of Hamnet, from the brilliant novel by Maggie O'Farrell, is just the latest contribution to the cottage industry of reimagining Shakespeare. O'Farrell's novel published in 2021 became a true literary sensation, and justifiably so. With layers of subtext, not the least of which is the subtle connection between the name "Hamnet" and "Hamlet," the Danish prince at the center of one of his most revered plays, the story "behind the story" of the untimely, tragic death of the playwright's son was a beautiful and heart wrenching drama all by itself.
Another recent contribution to the genre comes from a Colorado author and teacher who happens to be a former colleague of mine. Joel Morris, Ph.D. from Northwestern, has written a fascinating prequel of sorts to Shakespeare's diabolical Macbeth, telling the story of a young Lady Macbeth ten years before the dawn of the play. The book All Our Yesterdays: a Novel of Lady Macbeth is a USA Today bestseller and was winner of the Colorado Book Award for historical fiction. The highly favorable reviews tout the book for its incredible imagination and deep layers of historical knowledge. As an English teacher, Morris has filled the work with many literary Easter eggs, which add to the inventive story.
Fans of the Bard and of retellings like Hamnet should certainly consider exploring the story behind Lady Macbeth.
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