Ok, readers. I'm still here. It's been a busy couple weeks on my job search and preparation for a big move. But the blog is still active. And, as I finish up work on my book about Henry Thoreau and punk rock, I have decided to also finish writing about music, art, and culture for Westword and other local magazines. However, I will still write, and post here about all the things that catch my interest.
I went into the wood a lot as a kid. And looking back, my friends and I went into the woods for the same reason Henry Thoreau did - to "live deliberately."
In the tech-driven, social-media-obsessed, AI-constructed world of 2026, it seems like images, posts, and articles about "the last great time to be a kid" are coming across the media feeds with increasingly regularity. Generation X, the last demographic to know life -- and childhood -- before the internet, are nostalgically reflecting on and even pining for the the halcyon days of our 1970s-80s coming of age. And with the 40th anniversary of the poignant, enduring film Stand By Me coming around, it's a time poised to remember our time in the woods.
Sarah Wildman (what a perfect name for the writer of this piece), an opinion editor for The Times, recently reflected on The End of the Free-Range ‘Stand by Me’ Childhood:
Last fall I watched the 1986 movie “Stand by Me” with my 12-year-old daughter, on a lark. She is the same age as the film’s characters, four boys who set out on a quest through the Oregon woods in search of a dead body. The soundtrack, a midcentury greatest-hits compilation — ranging from Buddy Holly’s “Everyday” to Ben E. King’s song that gives the film its title — was music of my parents’ generation: They both turned 13 in 1959, the year in which the film is set. The songs were an auditory madeleine of the summer I finished elementary school; I hadn’t thought of the film in years. The layered nostalgia I found in revisiting it as a parent was, predictably, not only for the era that “Stand by Me” depicts but also for the time when the movie premiered.What took me by surprise was my daughter’s fascination. She has since watched the movie half a dozen more times, on her own, and read the Stephen King novella, “The Body,” on which it was based. It was she who realized the film turns 40 this year and insisted we attend an anniversary screening in a theater.
...
The central premise of the film is, essentially, a postwar, middle grade “Odyssey.” The boys of “Stand by Me” — played by Wil Wheaton, Jerry O’Connell, Corey Feldman and River Phoenix — encounter obstacles: brutal or absent parents, a purportedly terrifying dog, bloodsucking leeches and a set of drag-racing teenage hoodlums who wield as weapons pocketknives and lit cigarettes. News arrives via overheard gossip (one boy learns the location of the dead body from his brother) or hand-held transistor radio. They live almost entirely outdoors. Along the way, they come to realize their friendships far outrank the prize of their discovery.