Dr. Dorian and Turk are back at it in the same ol' adorable fashion, as if they ever really went away.
Scrubs was an exceptional show during its first run that debuted in the fall of 2001. In a long litany of provocative, engaging, poignant, and occasionally humorous medical dramas in the world of American sitcoms, Scrubs offered something different. It deftly balanced the poignant with the whimsical, the serious and thoughtful with the wild and wacky, as viewers experienced the first year of residency for three promising young doctors at the fictional Sacred Heart Hospital.
Like far too many network shows, it went on for a bit too long, but the first three seasons were pure storytelling magic, and the series from talented showrunner Bill Lawrence was quite innovative in its narrative arcs as well as its adept use of indie music, a quality it shared with other new shows like The O.C. and One Tree Hill. I still have a CD of the soundtrack from the first season, which introduced me to bands like The Shins. That unique quality was a key part of the show's character, and I have a feeling the music was influenced by the musical tastes of Zach Braff whose first independent film Garden State was another sweet example of the incredible indie music in 90s-2000s film and television.
I've only seen two episodes of the new show at this point, but as I watched the end of the second episode last night, I was struck by how perfectly the show has re-captured the magic. As Dr. Dorian narrates the conclusion of several storylines, including the personal and professional struggles of the young resident mirroring his initial role, the line that grabbed me was something like this: "We try to do as much good as we can every day for one shift, and then we go home." The wise but difficult wisdom could have easily been drawn from an early episode with the blunt Dr. Cox softening just for a moment to counsel J.D.
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